![]() Use those two types of equalizers to make the listening and watching enjoyable for the people out there at the screens!Ī postfade mix "mirrors" the main mix including its Fat Channel processing. Of course the settings of the Fat Channels at FOH will influence the sound of the mix in the auxes, but you have a parametric equalizer and a graphic equalizer in your auxes master to adjust the overall sound for the video transmission. This makes listening much more enjoyable.Īnd if you would get an iPad (or iPhone) involved, you could control the audio stream or even mix it completely separate. ![]() Mostly it needs a little bit of reverb ("room") in the sound or/and you can also add two ambience microphones left and right to catch the audience and get the room integrated into the "picture". At the same time the audio mix from FOH is very "dry", because of "close miking" and the separation from PA and room. You are streaming audio and video (webcam), so the visual impression is "fixed". It is important to consider live streaming as an acoustical "world" on its own, which means that somebody (not you at FOH!) should listen to it carefully during the service, adjust the levels if needed and make the sound enjoyable for the listeners. Listening to that mix away from that venue it will most likely sound awful, and certainly not what you thought you heard live at the time. The mix will make allowance for all the good and bad acoustic properties of the venue, the EQ of mics and instruments will be affected by the natural acoustics of the venue. The main mix is setup so the sound is at its best in the actual venue (whether a church or stadium rock show makes no difference). While POST might seem the obvious choice (its certainly the easiest) it's not normally the best. Pre1 taps off before the EQ, pre2 taps after. With the aux set to POST it takes the individual signals AFTER the channels faders (and pan) so you get exactly the same mix for recording as you hear from the speakers. With the aux set to PRE it takes the individual signals BEFORE their level is set in the main mix, advantage: you get to create a mix just for recording which can have different mic levels to what is coming out of the main speakers. Pre or Post fader refers to the input channel faders that you use to create the mix which is sent to the master faders. I was able to get a nice loud but not clipping recording of their services this way that was separate from the main fader, worked great! I'm not looking at this right now so I may have described things strangely but I did just set this up at a church 2 weeks ago. There is a way to change that in UC surface in the settings (little gear) page under one of the tabs there, change the master to aux1/aux2 for example, or you could use aux13/aux14, this stereo channel will now show up on the stereo track 25/26 on the computer. You have a 24.4.2, so firewire outputs 1-24 are the channels, but the master stereo track is 25/26 as seen from the computer. The trick is to change the firewire output for master stereo track from the MAIN out to the set of auxes you want to use. I would suggest setting this linked stereo aux mix to be set to pre2 for best results. The only thing they would share is the preamp and FAT per channel, but you would get to have a totally different fader mix. You can also add quite a bit of gain to that mix too so that it is louder than the main mix. If you have any AUXes left, you can link two of them to create a separate mix from the FOH mix.
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